![]() From the perspective of the 21st century, this seems almost self-evident. The OED defines it as ‘a continuous area or expanse which is free, available or unoccupied … The dimensions of height, depth and width, within which all things exist and move.’ In the 18th century, Immanuel Kant argued that three-dimensional Euclidean space is an a priori necessity and, saturated as we are now in computer-generated imagery and video games, we are constantly subjected to representations of a seemingly axiomatic Cartesian grid. Our architecture, our education and our dictionaries tell us that space is three-dimensional. Up, down, forward, back, right, left: I pilot myself in a personal cosmos of three-dimensional space, the axes of this world invisibly pressed upon me by the rectilinear structure of my office, defined, like most Western architecture, by three conjoining right angles. Right leads to the research notes for my article, left to my pile of ‘must-do’ items (bills and correspondence). Extending my arm forward, I brush my fingers against a small, strange figurine given to me by my sister as a good-luck charm, while reaching behind I can pat the black cat snuggling into my back. Sources: IMDB, Wikipedia, Superpower Wiki, Villains Wiki.Writing away at my desk, I reach my hand up to turn on a lamp, and down to open a drawer to take out a pen. He can manifest his powers in various ways, such as transforming his own appearance, creating objects from nothing, animating objects, possessing people and granting himself superhuman attributes. He was played by Robert Englund in those movies, but was recently played by Jackie Earle Haley in the 2010 reboot of the franchise.įreddy is a deceased child killer who appears in the dreams of his victims - a place in which he has complete control over reality. Jason (in which he goes up against another horror icon in Friday the 13th's Jason Voorhees). The terrifying horror villain first appeared in 1984's A Nightmare on Elm Street and has since appeared in 1985's A Nightmare on Elm Street 2: Freddy's Revenge, 1987's A Nightmare on Elm Street 3: Dream Warriors, 1988's A Nightmare on Elm Street 4: The Dream Master, 1989's A Nightmare on Elm Street 5: The Dream Child, 1991's Freddy's Dead: The Final Nightmare, 1994's Wes Craven's New Nightmare and 2003's Freddy vs. 10 The Leprechaun (The Leprechaun)įreddy Krueger is undoubtedly the most iconic reality-warper in the history of cinema. Here are the ten most iconic reality-warpers in movie history (note, this will not be in order of most powerful and will actively avoid iterations of God himself). Reality-warping is a superpower that is fairly commonplace in comic books - the likes of Franklin Richards, Mad Jim Jaspers, Mister Mxyzptlk and Proteus, for example, have exhibited the ability to alter reality on various scales - but it's not restricted to that particular media.Ī number of iconic movie characters have also displayed such superpowers and we're going to run through the best of them. ![]() ![]() Why? Well because reality-warping effectively enables the wielder of said power to alter reality to suit their preferences and, as such, do pretty much anything - which, when you think about it, potentially includes granting themselves any other superpower imaginable. Well, the answer is quite obviously "none of the above." The ultimate superpower to possess is undoubtedly reality-warping. What is the ultimate superpower? Super strength? Super speed? Invisibility? Telepathy? It's a tough choice, right?
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